Ty Cohen's Get Amplified Newsletter
June 7th, 2004


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SAY CHEESE – BAND PHOTOS

BUILDING A MUSIC CAREER AND NOT A HOBBY

WAYS TO NEVER MISS A SALE

IMAGE IS EVERYTHING – COVER ART

SPOTLIGHT ON...STEVE MARDON

Contact Info 

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Ty Cohen, the music industry's most recognizable voice, is the owner of a successful independent record label, a nation-wide music industry seminar speaker and panelist and author/creator of over 10 best-selling music business books, directories and software programs including the industry famous 101 Music Business Contracts software, The Industry Yellow Pages and The Ultimate "Music Industry" Power-Pack!

For nearly a decade, Platinum Millennium Publishing, parent company of www.MusicContracts101.com and Ty Cohen's Get Amplified! Newsletter, has helped over 27,000 independent musicians, singers, rappers, composers, record label owners, producers, managers, agents and others reach their music business goals. Using a unique combination of our very own tested and proven music business success resources, which includes a series of books, directories, software programs, videos, seminars and newsletters, our goal is to educate and empower musical individuals just like you with the tools needed to succeed!

This Week's Issue: Find ways to get good band photos, tips on building your career while still having a ‘life’, along with suggestions for always making the sale of your music to prospective buyers. Also featured this week is considerations of cover art and an interview with Steve Mardon in the Spotlight On column.

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1. SAY CHEESE – BAND PHOTOS

Every promo kit needs a picture of the band/artist. So bands love the limelight. Others don’t. You can’t avoid it so get over it now. Black and white is standard because many newspapers can’t run color yet. Although this is changing, save yourself the money and hassle and go with b/w. We know every band can’t have Annie Leibovitz photographing them but there are a few tips that help when shooting your band.

  • Shoot your ‘good side’. It might sound far-fetched or trite but everyone does have a ‘good side’ to be photographed. So find out which one is yours and use it to your advantage.
  • Avoid the clichés. Bands leaning against walls and chain-linked fences is so…passé. You might argue that big tour acts like Springsteen or Aerosmith do it. I’ll remind you, they’re Springsteen and Aerosmith. You, however, are not and until you break out of the pack you’ll just be another face in the crowd. Is that what you want? Didn’t think so.
  • Don’t be a follower. Remember the back of Sgt. Pepper that created the stir that Paul McCartney was really dead? It showed all of the Beatles facing forward but Paul had his back turned in the shot on the rear cover (hence the rumor they didn’t have a ‘Paul replacement’ for the photo shoot). Don’t try to recreate ‘history’. It will only make you look like you can’t come up with anything original.
  • Hire a professional photographer – a friend might know a friend. If you can’t get a professional see if you have an amateur photographer somewhere in your connections and ask to see their work in advance. Point is, never do your own photos.
  • No less than three rolls of film on the shoot. This is important because you’re going to want to take as many pictures as possible before you narrow down your choices.
  • Have an outside give their thoughts. You might think it looks brilliant but your co-worker or friend might think you look dorky or dangerous. If that’s the look you’re going for great! But if it’s not you could end up spending tons of money on glossies that make you look like a serial killer. Always get an outsiders opinion before you do any print runs.

Something else to consider for your photos: take them somewhere so you can get 8x10 glossies made with your logo and contact info. This is important because it makes you look professional. A couple of snapshots in a folder will give anyone that sees your press kit the impression that you just don’t care and we know that’s not the case so do it right the first time out.


2. BUILDING A MUSIC CAREER AND NOT A HOBBY

Some bands don’t want to be ‘big time’. They’re content getting together and jamming with friends. Others like yourself want to reach a wide audience and have your music heard. If you practice each day that’s great but there’s more to bettering your career than just your sound. Few bands have the luxury of doing music full time. They have day jobs and you might say “I just can’t find enough time to play, work and promote myself.” If you don’t promote yourself and expect to be ‘discovered’ just quit now. Save yourself the time because it’s simply not going to happen.

With day to day activities it’s quite a juggling act but put yourself in the mindset that you’ll do one thing, just one, each day for a month to promote yourself. If that means calling a new club, sending out a press kit, talking with local or state reporters, uploading a new mp3 to your website, whatever… it needs to be done. Make the time to do these things or you won’t ever advance past your current audience. And how does one make time? Try this:

  1. Get up 30 minutes earlier each day. You’ll be shocked how much you can do in that time.
  2. Ask for help. It’s not weak to ask a friend to run some press kits to the post office or do a small grocery run so you can work on other things. Just be ready to return the favor if need be.
  3. Prioritize. Look at your day carefully and see what you’re doing. Spend a week and write down everything you do, every hour. Can you miss a couple minutes of reality TV to get your career in high swing? Why watch American Idol when you can be doing stuff to be one?
  4. Delegate. If you’re in a band, sit down in a group and see who can do what. Is your drummer a ‘smooth talker’? Have him set up interview with club owners and the press. Is your keyboard artist better at organizing things? Have them put together the press kits and keep track of where they go. Then once a week, before practice and not after, have your ‘board meeting’. Talk about what you all did that week and what leads you’ve got with someone being the secretary to keep tabs on it. If you’re a solo artist see if friends or family might lend a hand. If you do the bulk of the work but need a few minutes of their time I’m sure they’ll help. They might however expect some of your time. (See tip #2).
Short of death there really isn’t any excuse for NOT doing promotion. Find sources like Musiccontracts101.com’s “How to Make A Fortune in the Music Industry by Doing It Yourself” that offers you tips to get started on promotion. You can find this program at http://www.musiccontracts101.com/docs/products/006/index.html. So be creative and think about how you can add more time to your day so you can get things done.
3. WAYS TO NEVER MISS A SALE

Business cards that have all your band’s info are a must. Also make sure you bring your CD’s and tapes not only to gigs but anywhere you go, even if it’s a handful of them. A conversation in the check outline at the 7-11 could lead to a sale from your trunk and pay for that Slushy and microwave burrito you just bought.

As far as your webpage make sure your shopping cart is functional. This sounds like common sense but you’ll be surprised how many acts don’t check this end of things. If your web master isn’t keeping tabs (or you’re not keeping tabs on your webmaster) then you could be losing tons of potential sales. Most customers won’t let you know of a problem. They’ll just leave and not look further into it.

Bottom line? Always be on the ready no matter where you’re at or what you’re doing.
4. IMAGE IS EVERYTHING – COVER ART

Heard the expression you can’t judge a book by its cover? Did you know that over 40% of the population does that very thing - they buy a book BASED on cover art when browsing? The music buying public isn’t much different so consider your artwork carefully.

Did you slop a picture of your big mug on the front or did you go with something a bit more original? Look at some of your favorite covers and ask yourself what makes them you’re favorite. You don’t need to imitate them but what features sucked you in about the cover. What it the colors? The typeface? Was it detailed or simplicity? Did you find it humorous or did it make a statement?

Some of the most well known covers, from the simplistic ‘White Album’ by the Beatles to Nirvana’s thought provoking ‘Nevermind’, all have something in common – they all demand that you look closer at them and they scream for your attention. If your first release isn’t grabbing potential listeners then make sure when you go to the drawing board, with a professional designer by the way, your second release grabs the buyer and doesn’t let go.  

5. SPOTLIGHT ON...STEVE MARDON

Steve Mardon is an artist that combines song styles with a blend of folk, blues, rock, and country. Steve resides in Union Square in Somerville, Massachusetts, and plays with both and acoustic and electric band. The acoustic band, Steve Mardon & the Egregious Typos, includes Rob Huffman on acoustic guitar and mandolin, Alison Darrow on harmony vocals, and Janine Sirignano on fiddle. The electric band is The Patrons, an existing unit that also gigs without me. The Patrons include Matt Riley on bass, Cory Bortnicker on keyboards, Ryan Barrett on drums, and Jonah Kraut on electric and pedal steel guitar. Steve recently gave us some insight into his inspirations and aspirations.

  • What groups or artist had a major impact on your music style? **Ray Davies, Steve Forbert, John Prine, Randy Newman, Warren Zevon, Jerry Garcia.
  • What’s the most outrageous thing you’ve seen on tour? **Never been on tour, but we recently had a guy unwittingly dancing like Elaine on Seinfeld and that was amusing.
  • How long have you been in the business? **We've been getting gigs around Boston for about 3 years.
  • What can you tell us about your newest release? ** The 18-song “Critic’s Darling” CD, my first full-length album, was released in January 2004 on Egregious Typo Records. It costs $10 through my website, where the lyrics and liner notes are posted, and $8 at gigs. I recorded the studio songs at Pete Weiss’ Zippah Studios in Brighton and Dave Rizzuti’s Strong Recording in Arlington. I played acoustic guitar and sang, Pete played electric guitar, Dave played pedal steel guitar, Rob Huffman played acoustic guitar and mandolin, Kevin Quinn played electric bass, Emily Jackson and Mercy James played drums, Neil Helme played acoustic bass, and Alison Darrow sang harmonies. Pete produced 11 songs, Dave produced five, and there are two live tracks recorded on mini-disc. Pete mastered the CD. Eight of the songs were released in 2002 on the “Coffee & Beer” EP, which is now out of print.
  • And the standard question every wonders…Your favorite color and number? **Purple. Seven.

Be sure to visit Steve’s web site at www.stevemardon.com. You can also check out Steve on the radio at WMBR, the MIT station at 88.1 or at one of his upcoming gigs:

  • Wednesday, June 9 — The Skellig, Waltham, 9 p.m., free
  • Friday, June 25 — Plough & Stars, Cambridge, 9:30 p.m. $3.00

6. Contact Info

The Get Amplified Newsletter is a free online newsletter about the independent music biz featuring news, events, and special offers on all things Indie. To use any of the articles or info contained in this newsletter please...

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Box 644
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Website: http://www.musiccontracts101.com
Email:
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